So these four tutorials will show you just some examples.
But don’t make them too small either, or they’ll be blurry at larger sizes.īut the hard part of making a brush isn’t knowing how to draw a tip image or memorizing every slider of the Brush Settings panel, it’s knowing how to apply them and how they interact. Also, to avoid straining your processor, it’s good to make them no larger than 1500 px (there aren’t many uses for tip stamps bigger than that anyway). So make sure your tip image is isolated on white first. Black stays opaque, grays become translucent, and white becomes transparent. Part III actually covered the bulk of what you need to know about making brush presets - most of the tools that make them unique are in the Brush Settings panel, and making the tip itself is the easiest thing in the world: you just select the part of the image you want and go to Edit > Define Brush Preset. For our final article, it’s time to wrap up everything we’ve learned.
